![]() Born in Rome date of birth unknown died in either Collatia or Rome, c. Fears were unfounded, however, and Graham Vick’s straightforward production projects strongly.Roman matron of historic and legendary fame whose rape, plea for vengeance, and consequent suicide led to the overthrow of kings in Rome and the establishment of the Roman Republic. Jean Rigby (Lucretia), Anthony Rolfe Johnson (Male Chorus), Russell Smythe (Tarquinius).ĮNO’s first staging of a Britten chamber opera was seen at the time as something of a risk in such a large space as the London Coliseum. The recording was made live at a performance in Amsterdam, presumably from radio sources, and sounds surprisingly good for its age.ĪRTHAUS (1 DVD) Sung in English Recorded 1987 The cast also includes Joan Cross and Owen Brannigan. She is excellent, but it is special to have a complete version with Kathleen Ferrier, who created the part. When excerpts were recorded in 1947, Nancy Evans sang Lucretia. During the months after the premiere the production toured extensively, most of the roles being double cast. There are historic recordings, and then there are recordings of genuine historic importance. Kathleen Ferrier (Lucretia), Peter Pears (Male Chorus), Otakar Kraus (Tarquinius). GALA (2 CDs) Sung in English Recorded 1946 The results are consistently good with the performance centred on Jean Rigby’s experienced interpretation of the title role. Richard Hickox tackled this piece early in his series of recordings of the Britten operas, at a time when very few of the operas had alternatives to Britten’s own view. Jean Rigby (Lucretia), Nigel Robson (Male Chorus), Donald Maxwell (Tarquinius). The cast also includes Heather Harper and John Shirley-Quirk.ĬHANDOS (2 CDs) Sung in English Recorded 1993 Janet Baker’s Lucretia has a great sense of immediacy, presumably resulting from her performances with the English Opera Group. Since he was generally an excellent conductor this recording is self-recommending. Janet Baker (Lucretia), Peter Pears (Male Chorus), Benjamin Luxon (Tarquinius).īritten is almost unique in having left a near complete sequence of recordings of his operatic works, even when, as with Lucretia, he did not conduct the early performances. When Collatinus and Junius arrive she explains what has happened, and ignoring Collatinus’s attempt to forgive her, she stabs herself.ĭECCA (2 CDs) Sung in English Recorded 1970 Tarquinius has gone in the middle of the night. The fourth scene, like the second, is in the main room of the house. The rape is depicted in an orchestral interlude. The second act starts with Lucretia asleep in bed. Tarquinius arrives and is offered hospitality for the night. ![]() The second scene, at Collatinus’s house, shows Lucretia again spending a quiet evening with her two women, spinning yarn. Tarquinius resolves to visit Lucretia at her home, and sets off on a frantic gallop to Rome. All were away from home and enjoying themselves except for Collatinus’s wife, Lucretia. Tarquinius, Collatinus and Junius discuss a bet the officers had the evening before about the conduct of their wives. The first scene is a tent at a military camp outside Rome. The two chorus figures provide a continuous narrative and a framework for the four scenes of the action. The setting is in or near Rome around 500BC. This example of his son and heir's unacceptable behaviour is reputed to have resulted in the expulsion of the Roman monarchy and the establishment of a republic. The last of these kings was Tarquinius Superbus, regarded as a foreign tyrant, because he was Etruscan. The subject of The Rape of Lucretia is a legend from the early days of the foundation of Rome, when it was a monarchy. It was the first of a number of pieces on a similar scale which Britten continued to produce throughout his career. ![]() It was a deliberate attempt to produce a piece which would be cheap to stage – no chorus and an orchestra of twelve instruments plus piano. The Rape of Lucretia is the third of Britten’s operas, and followed on from the success of the large-scale Peter Grimes. Scottish Opera premiere: Stirling (MacRobert Centre), 16 April 1976. 1978 - Scottish Opera Lausanne 1978 - Scottish Opera Zurichīenjamin Britten (born Lowestoft, 22 November 1913 died Aldeburgh, 4 December 1976)įrench play Le viol de Lucrèce (1931) by André Obey (1892-?).įirst performance: Glyndebourne, 12 July 1946.įirst performance in Scotland: Edinburgh (Royal Lyceum Theatre), 12 August 1946. ![]()
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